Best Novel: Blackout/All Clear by Connie Willis (Spectra)

Runners Up:
The Native Star by M.K. Hobson (Spectra)
The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit UK; Orbit US)
Shades of Milk and Honey by Mary Robinette Kowal (Tor)
Echo by Jack McDevitt (Ace)
Who Fears Death by Nnedi Okorafor (DAW)

Best Novella:

“The Lady Who Plucked Red Flowers Beneath the Queen’s Window”

by Rachel Swirsky (Subterranean Summer ’10)

Runners Up:
The Alchemist by Paolo Bacigalupi (Audible; Subterranean)
“Iron Shoes” by J. Kathleen Cheney (Alembical 2)
The Lifecycle of Software Objects by Ted Chiang (Subterranean)
“The Sultan of the Clouds” by Geoffrey A. Landis (Asimov’s 9/10)
“Ghosts Doing the Orange Dance” by Paul Park (F&SF 1-2/10)

Best Novelette:

“That Leviathan Whom Thou Hast Made” by Eric James Stone (Analog 9/10)

Runners Up:
“Map of Seventeen” by Christopher Barzak (The Beastly Bride)
“The Jaguar House by in Shadow” by Aliette de Bodard (Asimov’s 7/10)
“The Fortuitous Meeting of Gerard van Oost and Oludara” by Christopher Kastensmidt (Realms of Fantasy 4/10)
“Plus or Minus” by James Patrick Kelly (Asimov’s 12/10)
“Pishaach” by Shweta Narayan (The Beastly Bride)
“Stone Wall Truth” by Caroline M. Yoachim (Asimov’s 2/10)

Best Short Story (tie):

“Ponies” by Kij Johnson (Tor.com 1/17/10) &

“How Interesting: A Tiny Man” by Harlan Ellison (Realms of Fantasy 2/10)

Runners up:
“Arvies” by Adam-Troy Castro (Lightspeed 8/10)
“I’m Alive, I Love You, I’ll See You in Reno” by Vylar Kaftan (Lightspeed 6/10)
“The Green Book” by Amal El-Mohtar (Apex 11/1/10)
“Ghosts of New York” by Jennifer Pelland (Dark Faith)
“Conditional Love” by Felicity Shoulders (Asimov’s 1/10)

Ray Bradbury Award: Inception

Runners Up:
Despicable Me
Doctor Who: “Vincent and the Doctor”
How to Train Your Dragon
Scott Pilgrim vs. the World
Toy Story 3

Andre Norton Award: I Shall Wear Midnight by Terry Pratchett (Gollancz; Harper)

Runners Up:
Ship Breaker by Paolo Bacigalupi (Little, Brown)
White Cat by Holly Black (McElderry)
Mockingjay by Suzanne Collins (Scholastic Press; Scholastic UK)
Hereville: How Mirka Got Her Sword by Barry Deutsch (Amulet)
The Boy from Ilysies by Pearl North (Tor Teen)
A Conspiracy of Kings by Megan Whalen Turner (Greenwillow)
Behemoth by Scott Westerfeld (Simon Pulse; Simon & Schuster UK)

There are first Nebula Awards for Rachel Swirsky and Eric James Stone, while Kij Johnson wins a second consecutive Nebula for Best Short Story.

At the other extreme, the Best Novel Award for Connie Willis marks her seventh Nebula, equalling Ursula K. Le Guin’s total, and is Willis’s first in eighteen years, after a fallow decade in the 2000’s. However, her wait for a new award is dwarfed by Harlan Ellison’s, who wins his fourth Nebula for a single work of fiction (as opposed to a Grand Master for a body of work), and his first in thirty-three years.

And the tie for Best Short Story is the Category’s first, the first in any Category in forty-four years, and only the third in Nebula history – the previous two occurred in the first two years of the award’s existence.

In the forty-six years of the Nebula’s history, there have never been five different authors winning Nebulas for specific pieces of fiction (this excludes Bradbury & Andre Norton Awards).

In case you’re unfamiliar with his name, Andy has done the artwork for my two of my three previous anthologies, so I freely admit to a tinge of nepotism. But more pertinently, he’s has been a finalist for the BSFA award in three of the last four years, and has won twice, for his cover for Ian Whates’ Subterfuge, and the year before for Cracked World for Whates’ previous anthology DisLocations. (sigh, I knew them both before they were famous…) So the BSFA think he’s good as well. 

One of the things I love about Andy’s work is that with its spaceships and other SF tropes it’s reminiscent of the cover art from the early 1970s, by artists like Bruce Pennington and Eddie Jones; but while Andy’s work is tech-heavy, there are hints that he’s beginning to experiment, to play with other form.

As I said last time, I’ll be signing both books, as will lots of other authors, such as Gareth L Powell and Andy Remic; The Sixty includes all the aforementioned, plus my own Displacement, Sam Stones’ Killing Kiss, and many, many others. All illustrations are accompanied by short passages from the texts illustrated, and Andy may have an original short story or two in there from various authors.

It promises to be a wonderful book.

SF is no exceptions to this, and a couple of sites have already started, running their ‘best of/ the following are eligable for’ lists, while the ToC for Rich Horton’s Years Best has already popped up at SFSignal, which also carries Jonathan Strahan’s ToC. Interesting that they have at least two overlaps, Peter Watts and Elizabeth Hand, while Neil Gaiman has different entries in the two collections.

I already have a heavy reading list, and adding in the reading I’ve already done for the Nebula means that I’m almost ready to cry mercy. I’ve already read a lot of the contenders due to reviewing Asimovs and F & SF for Suite101, but there are a lot of other worthy works and authors out there.

At some point by the 30th, I shall endeavour to post my own list, but meanwhile, what do you think are the best stories and novels of the year?

In the article I talk a lot about Paolo Bacigalupi’s The Wind-Up Girl, particularly in light of the fact that it’s only the fourth novel to win the ‘trinity’ of Hugo, Nebula & JWC. I’m not so naive as to believe that the best novels always win these awards. In fact some stinkers have won individual awards. But over the years they’ve collectively been a good barometer of what exemplifies what we should treasure, and point newcomers to as introductory works to the genre.

A second mini-thought: Nicholas Whyte mentioned on his blog that all five fiction winners were men. When I looked through my scrappy list, I found that the [fiction] winners for the 2000s had the lowest proportion of women of any decade since the 1970s.  Does that mean that Hugo voters are becoming more sexist, or is gender less of an issue in who the voters pick, leading to a greater preponderence of male stories on the ballot? You decide.

I can’t think of too much else to say at the moment as I’m still reeling from the twitter feed covering the Hugo Awards. I’ll cover the results in more detail tomorrow; enough for the moment to say that I’m pleased and delighted that Peter Watts and Will McIntosh won deserved first Hugos, and I’m (pleasantly) gob-smacked that not only did Paolo Bacigalupi win the Hugo I never thought he’d for The  Wind-up Girl (too controversial, I thought — shows how much I know!) but that he had to wrestle China Mieville to a stand-still to tie with him for The City and The City.

First, this is the first time since 2007 that I’m familiar with the winning entry, and for all my reservations, it’s a worthy winner.

Secondly, I judge the awards myself in 2007, and it was a tough call then to pick just one winner, so I understand perfectly Malon Edwards comments of  “Honorable Mentions for the Older Writers Grant go to Michele Cashmore, April Grey, Lynne MacLean, Ada Milenkovic Brown, and J.A. Huets for their entertaining submissions, which made the selection of the winner a difficult but enjoyable process.”

Yep, not much has changed there, then.  Come the deadline, there’s usually much tearing of hair.

Lastly, and most selfishly, in five months time I’ll be eligible for the award myself. Not that I think that I have a prayer of winning it, but I have to have a go…it’s nice to see what benchmark’s been set.

I hadn’t realized that it had been quite so long (23 days) between posts, but with all but one of my assignments now delivered, normal service should be resumed shortly.

Tomorrow I’m in Bristol at the Shakespeare (down on Princes Street) for the launch of Gareth L Powell’s debut novel Silversands – I can’t wait to get my hands on a copy.

Monday night I’m in Bristol again, for the monthly meeting of the Bristol SF & Fantasy Society, where doubtless talk will turn to Bristolcon. Although there will be other subjects discussed -such as whose round is it?– and Doctor Who and…the meeting is at 8pm at the King William on King Street, and as well as yours truly, Jim Mortimore and Jo Hall will be there, plus assorted others.

On Wednesday I’ll be attending the Arthur C. Clarke Awards presentation ceremony in London, and staying overnight. The next morning I might just take a stroll into one or two of the local bookshops, and maybe even sign a few copies of Damage Time…

If you’re at any of the upcoming events, feel free to come over and say ‘Hi.’